MANAGENENT
CARMEN FERREYRA
DIRECTOR AND FOUNDER
Carmen Ferreyra is an independent curator and art producer based in Brooklyn, NY. She completed her MA in Critical and Curatorial Studies in Modern Art at Columbia University in 2013, and in 2010 earned a BA in Art History and French also from Columbia University. Ferreyra is lecturer of Contemporary Latin American Art at the School of Visual Arts (2018-) and member of Columbia Venture Community (2020-). She was the Special Projects Coordinator for the Armory Show (2019), Director of Special Programs for the Bienal de las Fronteras in Matamoros, Mexico (2014-2015), and the Director of UNTITLED. Art Fair in Miami Beach, Florida (2014). She was the manager of Pinta Art Show in London and New York (2007-2013) and acquisition advisor for Mundus Novus Latin American Art Collection (2010-2013). Additionally, she served as editor at Interventions, Columbia University Curatorial Journal from 2012-2013. Ferreyra has conducted research for several institutions, including the Study Center at the Museu d’Art Contemporani de Barcelona, the Solomon R. Guggenheim Museum in New York, the Whitney Museum of American Art, El Museo del Barrio and the Colección Patricia Phelps de Cisneros in New York, between others.
SUSANNE EWERLÖF
DIRECTOR, EUROPE
Susanne Ewerlöf is currently the curator at Tensta Konsthall in Stockholm, Sweden and has recently ended a temporary position as a Project Manager at Stockholm Region working with the project “Konsväxlingar”, temporary projects in the Subway. She was the Program Manager for the three-day workshop Trans-Atlantic Meeting on Nationalism(s) organized as a part of CPR 2019: Navigating the (Art)World in New York City as well as CPR 2017: The Baltic Sea (Sweden, Norway and Denmark). As the Founder and previous Artistic Director of the self-organized platform Verkstad Konsthall in Norrkoping, Sweden, Ewerlöf is very dedicated to site-specific projects where artists can interact with a local context. This interest in methodology together with research around memory, nationalism, and places narrows her curatorial focus. She has also explored fiction (“A Scenario” at Verkstad Konsthall 2021 and “If these walls could talk” at Fullersta Gård Art Centre 2019) and vision (“If Seeing is Believing” at Fullersta Gård Art Centre 2017-2018) in recent exhibition projects. She holds an MRes degree in Curatorial/Knowledge from the Department of Visual Cultures at Goldsmith University, an MA degree in Curating from Stockholm University and BA and MA degrees in Cultural Production from Linköping University.